Friday 27 November 2020

Pink Floyd - "Wish You Were Here" (1975)


My only real gripe with Pink Floyd's The Dark Side Of The Moon (well not really a gripe, more of a personal preference) was it's generally more separated and impersonal approach to the lyrics and themes. This is one of the biggest draws of it's follow-up, that it is famously very personal and emotional (at least in part). A big part of the record is essentially an incredibly potent and emotional ode to former frontman Syd Barret and his mental decline following his overuse of LSD. Syd even made and unannounced visit the band while they were recording the album, which was the first time the band had seen him in years, and the last they would see him again. The band played him a mix of Shine On You Crazy Diamond, and he was unable to make the connection between the song and himself. It's such a heart-breaking story and only adds to the potency of the recording and atmosphere of the record.

Shine On is a 25 minute, 9 part journey which is split into 2 tracks which bookend the album. It slowly builds up in atmosphere through part one until it releases the first instance of the iconic, harrowing 4 note guitar motif (dubbed Syd's theme). It is something so simple, yet so unbelievably stark and isolating. The song becomes warmer, and more of celebration of Syd from part 3 onwards; with lusher, more rich instrumentation and many, many solos. Aside from part 2 - parts 4, 5 and 7 are the real highlights of this opus. The title track also deals in the same themes of nostalgia and loss, and once again is clearly is about and directed to Syd. The track is most likely the band's most popular, and it's not hard to see why. It's so straightforward and direct, it's not a prog song at all. The twangy acoustic guitar combine with some really affective lyrics to create something that is equally relatable, deeply moving, and anthemically sing-along. The line "Did you exchange a walk on role in the war / For a lead role in a cage?" is one that hits for me in particular.

The other two tracks, feel like more of a continuation of the socio-political themes of Dark Side, but with more of a slant towards the music industry in particular. This gives a real split in the record, half being deeply personal, half being more broader and thematic. These tracks also come across more bitter than those on Dark Side (particularly Welcome to the Machine), which creates a more sour atmosphere which doesn't mix well with the very human and sensitive feelings of the SOYCD and WYWH. It might reflect Roger Walter's increasing control over the group's direction at this point in time (especially since Welcome to the Machine sounds very much like what I have heard from the Wall - which is Walter's baby). Not that these tracks are anywhere close to bad; I do genuinely really like Have a Cigar for its bouncy groove and sneering representation of clueless record execs following the money. They just don't mesh well with the other two tracks, and they just feel a bit indulgent compared to the songs that tackled these themes in The Dark Side of the Moon.

Indulgence is really what sets this record back compared to TDSOTM in my eyes. As much as the best parts of Shine On You Crazy Diamond are phenomenal, the song is 25 minutes long and does end on it's weakest point. Part 7 leaves the song in such a weightless and ethereal place that parts 8 and 9 feel completely unnecessary. That being said, the other 20 minutes of Shine On You Crazy Diamond and Wish You Were Here are some of the most beautifully moving (and Best) music I have ever heard.

Top Tracks: Shine On You Crazy Diamond (parts 1-5), Have a Cigar, Wish You Were Here, Shine On You Crazy Diamond (parts 6-9)

8/10

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