Friday 16 August 2019

Pink Floyd - "The Piper at the Gates of Dawn" (1967)

There are so many classic artists which I really like their greatest hits but have never explored any of their discography beyond that: David Bowie, Depeche Mode, basically every britpop band. Pink Floyd are one such act, so I've finally started with their debut album. This album is unique in the groups discography, as it is the only one to feature founding front-man Syd Barrett on vocals (he contributed some guitar to the bands follow-up), as his declining mental state due to LSD use caused him to leave the band in 1968. At this point in the band's career, they were making pretty revolutionary psychedelic and experimental rock, and it shows. This album is absolutely nuts, almost too nuts! It's exiting to no end, but rather messy and scattershot in my opinion.

The album opens with Astronomy Domine, a spacey, psychedelic track with space-age beeps and tense guitar melodies which rise and fall. This is followed by Lucifer Sam, at track from what I can gather is about a cat. This track is much faster and has this cool spy film-esque guitar. These tracks are miles apart, sonically and thematically, and the album continues like this. Exploring one sound for a single track then dropping it for something entirely new.

Matilda Mother is dark and moody, like some weird, psychedelic folk tune, but then snaps into some expressive guitar solos that come out of nowhere. Pow R. Toc. H opens with odd percussion a the band making strange noises for 30 seconds but then settles into this groovy, piano-led tune. This is before the weirdness comes back for the middle portion of the song which builds into this guitar led outro. There are no lyrics in this song and it really builds this strange, alien atmosphere. The closer, Bike, is perhaps the silliest song here, with lyrics referencing lending someone a bike and having a mouse friend called Gerald. It is just so amusing and endearing with over the top instrumentation.

The centrepiece of the record is the almost 10 minute Interstellar Overdrive; a proggy, multi-phase song which opens on this heavy, bluesy riff before moving on into a noisy, psychodelic section. The track gets more intense as instruments are added in, and then strips back to this creepy section with dissonant sounding plucked guitars. After this follows a section of ambient instrumental swells which then finally releases the tension, returning to the guitar riff which opened the track.

This album is all over the place, and none of the tracks flow together in any cohesive way; yet it is so off the wall that it remains entertaining. The lack of any overarching idea, or theme does make it less enjoyable to sit down and listen to in one go, but the best tracks in isolation are weird and wacky and captivating.

Top Tracks: Astronomy Domine, Lucifer Sam, Pow R. Toc. H, Interstellar Overdrive, Bike

7/10

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